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This is not a Love Song!
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...   Erstellt am 29.04.2009 - 20:43Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


Official Trailer - Neil Young Archives Vol. 1

http://www.youtube.com/watch?v=JrdqjAeR-dE

Seine legendäre Band Crazy Horse!




Draiman ...
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...   Erstellt am 31.10.2009 - 10:34Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


Neil Young - Sleeps With Angels

Released August 16, 1994
Recorded November 8, 1993 - April 25, 1994
The Complex Studios, West Los Angeles

Neil Young: guitar, tack piano, accordion, flute, harmonica, vocal
Frank "Poncho" Sampedro: guitar, grand piano, electric piano, keyboards, bass marimba, vocal
Billy Talbot: bass, vibes, bass marimba, vocal
Ralph Molina: drums, vocal

Track listing:
All tracks by Neil Young, except where noted:
1. "My Heart" – 2:44
2. "Prime of Life" – 4:02
3. "Driveby" – 4:43
4. "Sleeps With Angels" – 2:44
5. "Western Hero" – 4:00
6. "Change Your Mind" – 14:39
7. "Blue Eden" (Molina, Sampedro, Talbot, Young) – 6:22
8. "Safeway Cart" – 6:29
9. "Train of Love" – 3:57
10. "Trans Am" – 4:07
11. "Piece of Crap" – 3:15
12. "A Dream That Can Last" – 5:27



Die Asche des Grunge!

She wasn't perfect
She had some trips of her own
He wasn't worried
At least he wasn't alone (Too late)
He sleeps with angels (Too soon)
He's always on someone's mind
He sleeps with angels (Too late)
He sleeps with angels (Too soon)

She was a teen queen
She saw the dark side of life
She made things happen
But when he did it that night
She ran up phone bills
She moved around from town to town (Too late)
He sleeps with angels (Too soon)
He's always on someone's mindHe sleeps with angels
He sleeps with angels

Sleeps With Angels, der Titelsong des gleichnamigen Albums von Neil Young, der übrigens den Grunge und seinen wichtigsten Protagonisten zu Grabe trug.

Hier gibt es alle Infos über das Album:
http://en.wikipedia.org/wiki/Sleeps_with_Angels





Signatur
Verdammt ich lebe noch!

Nelson 
The Rise And Fall OF Haight Ashbury


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...   Erstellt am 31.10.2009 - 22:38Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


Hier der Kurt Cobain Song.

NEIL YOUNG WITH PONCHO & THE MG's - SLEEPS WITH ANGELS & ARE YOU PASSIONATE - 5/18/02




calvin007 ...



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...   Erstellt am 01.11.2009 - 17:10Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


Ist ja auch kein Wunder, es war Neil Young, dessen My My, Hey Hey (Out of the Blue) Kurt Cobain in seinem Abschiedsbrief zitiert hatte.

Es ist besser auszubrennen, als langsam zu verblassen.

Hier kann man alles darüber nachlesen.

http://en.wikipedia.org/wiki/Hey_Hey,_M … e_Black%29

[Dieser Beitrag wurde am 01.11.2009 - 17:12 von calvin007 aktualisiert]




Damiana ...
Yo La Tengo
...............

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...   Erstellt am 02.11.2009 - 19:36Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


My my, hey hey
Rock and roll is here to stay
It's better to burn out
Than to fade away

My my, hey hey.

Out of the blue
and into the black
They give you this,
but you pay for that
And once you're gone,
you can never come back
When you're out of the blue
and into the black.

The king is gone
but he's not forgotten
This is the story
of a Johnny Rotten
It's better to burn out
than it is to rust
The king is gone
but he's not forgotten.

Hey hey, my my
Rock and roll can never die
There's more to the picture
Than meets the eye.
Hey hey, my my.

Neil Young ~~My My, Hey Hey (Out of the Blue) ~ 1989 ~ Summer , New York, Jones Beach. ~rock n roll~





Signatur
Alma mia sola siempre sola

Nuri 



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...   Erstellt am 03.11.2009 - 18:54Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


Ein Monolog aus Sicht von Charles Manson, den Neil Young sogar persönlich kannte.

Neil Young - Revolution Blues (Music)

Well, we live in a trailer at the edge of town
You never see us 'cause we don't come around.
We got twenty five rifles just to keep the population down.
But we need you now, and that's why I'm hangin' 'round.
So you be good to me and I'll be good to you,
And in this land of conditions I'm not above suspicion
I won't attack you, but I won't back you.

Well, it's so good to be here, asleep on your lawn.
Remember your guard dog? Well, I'm afraid that he's gone.
It was such a drag to hear him whining all night long.
Yes, that was me with the doves, setting them free near the factory
Where you built your computer, love.
I hope you get the connection, 'cause I can't take the rejection
I won't deceive you, I just don't believe you.

Well, I'm a barrel of laughs, with my carbine on
I keep 'em hoppin', till my ammunition's gone.
But I'm still not happy, I feel like there's something wrong.
I got the revolution blues, I see bloody fountains,
And ten million dune buggies comin' down the mountains.
Well, I hear that Laurel Canyon is full of famous stars,
But I hate them worse than lepers and I'll kill them in their cars.




Reloaded ...



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Damiana schrieb

    My my, hey hey
    Rock and roll is here to stay
    It's better to burn out
    Than to fade away

    My my, hey hey.

Den Song gibt es in zwei Versionen:

My My, Hey Hey (Out Of The Blue), ist die akustische Version.

Hey Hey, My My (Into The Black), ist die heavy Version.





Signatur
Virus aus dem Eis

calvin007 ...



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...   Erstellt am 08.11.2009 - 16:01Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


Crazy Horse
Reprise Records Biography, May, 1997


schrieb

    Crazy Horse's roots reach back to Los Angeles in the early 1960s, when Ralph Molina and Billy Talbot sang in a vocal group with Danny Whitten called Danny & the Memories. "We were one of the slickest acts around," says Talbot, "really into arranging the harmonies, the whole trip." Eventually, Molina took up the drums (having previously played them in a high school marching band), Whitten began concentrating on guitar, and Talbot learned bass and piano; this preceded the group's evolution into a rhythm and rock outfit called The Rockets (also including guitarists George and Leon Whitsell and electric violinist Bobby Notkoff). Playing The Whisky and other L.A. clubs in '67 and '68, the band attracted a following and recorded one self-titled album which sold "about 5,000 copies," Talbot recalls. One of those copies landed in the hands of Neil Young.

    "We first met Neil and jammed with him a little in Laurel Canyon when he was in the Buffalo Springfield and The Rockets were just coming together," says Talbot. "Later, Neil heard our album, really liked it, and he sat in with us at The Whisky. Then he wanted to record this song, 'Cinnamon Girl,' with Danny, Ralph and me. S we went up to Neil's studio in Topanga Canyon to work on that one song."

    The March 1969 session went so well that Young invited the musicians back to record "Cowgirl In the Sand," "Down By the River" and the rest of the songs that would fill Everybody Knows This Is Nowhere o the first album by Neil Young and Crazy Horse (the new name Young had bestowed upon Molina, Talbot and Whitten).

    Several live shows were sandwiched around the making of Everybody Knows This Is Nowhere, with Young and Crazy Horse performing primarily on the East Coast. There was talk of reviving The Rockets at some point, but it never happened.

    Young and Crazy Horse (with Jack Nitzsche on keyboards) played a series of U.S. concert dates during the first quarter of 1970. And in addition to contributing to Young's 1970 album, After the Gold Rush, Crazy Horse also landed a separate deal with Reprise, recording a self-titled album that was released in 1971. The band was augmented by guitarist/vocalist Nils Lofgren and keyboardist/producer Jack Nitzsche for this album, which included such songs as "Gone Dead Train," "Beggar's Day" and "I Don't Want to Talk About It," which was covered by Rod Stewart a few years later.

    Since mid-1970, Danny Whitten's worsening heroin habit had driven a wedge between Young and Crazy Horse. By 1971, Talbot and Molina had seen enough as well. "Danny was a surfer-type guy o really mellow, straight," Molina says. "To see him go to that extreme just blew my mind." Talbot adds: "Danny never straightened out We didn't want to become junkies, too, so we fired him."

    Determined to keep Crazy Horse rolling, Talbot and Molina recruited other musicians and recorded two albums, Loose and Crazy Horse At Crooked Lake, that were both released in 1972. Whitten was asked to join Young's post-Harvest touring band, but he was too far gone to keep it together during rehearsals. Sent home to L.A. Whitten died of a heroin overdose in November of 1972.

    In the wake of the drug-induced deaths of Whitten and CSNY roadie Bruce Berry, Molina and Talbot contributed to Young's 1973 Tonight's the Night recording sessions and a tour with The Santa Monica Flyers.

    Crazy Horse did not begin to reemerge as a band until Frank Sampedro arrived on the scene in late 1973. Having played guitar in some high school rock bands in Detroit, Sampedro moved to L.A., where he met Talbot, then Molina. The trio soon forged a musical alliance, writing songs and jamming regularly throughout most of 1974 in the basement of Talbot's Silver Lake home. That's where Neil Young first heard "the new Crazy Horse." Sampedro remembers: "There was some magical energy happening."

    Beginning with the 1975 album, Zuma, a series of unannounced shows at Northern California coastal bars and the 1976 tours of Japan, Europe, then America, Neil Young and Crazy Horse re-established a deep brotherhood. Over the next 20 plus years, there would be many Horse highlights, including: "Like A Hurricane," a center ece song live and on the 1977 album, American Stars 'N Bars; the acclaimed 1978 Rust Never Sleeps tour, chronicled on record and film; Crazy Moon (a Crazy Horse album released in 1978, featuring songs and lead vocals by Sampedro, Molina and Talbot, with Young playing guitar on several tracks); 1981's explosive re*ac*tor album; 1986's In A Rusted Out Garage/3rd Best Garage Band In the World Tour; 1990's Ragged Glory, which many felt revived the spirit of Everybody Knows This Is Nowhere; 1991's Don't Spook the Horse Tour, Arc/Weld album and longform video; 1994's Sleeps With Angels album, which reached #9 on the Billboard 200 chart; and 1996's Broken Arrow album and Year of the Horse tour.

    The Year of the Horse concept came from longtime Neil Young and Crazy Horse producer David Briggs o "Probably more the fifth member of Crazy Horse than anybody could ever be," says Sampedro. Shortly before his death in November of 1995, Briggs was looking ahead to the coming year and told Young, "This is the Year of the Hor ." According to Young, Briggs also told him: "All you have to do now is get closer to the source. Keep getting purer and purer."

    Year of the Horse is 100 percent pure Crazy Horse.

    5/97

    All of the quotes that appear in the preceding Crazy Horse bio were drawn from two sources:

    * The film, Year of The Horse, directed by Jim Jarmusch, set for release in 1997

    * The article, Crazy Horse In Full Gallop, by Dave Zimmer, published in BAM Magazine (January 19, 1979)

    Transmitted: 5/29/97 8:25 PM EDT (neilbio_)Reprise Records


Quelle: http://www.thrasherswheat.org/yoth.htm




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...   Erstellt am 10.11.2009 - 18:55Zum Seitenanfang Beitrag zitieren Beitrag melden Beitrag verändern Beitrag löschen


Neil Young: Große Special-Edition zum Weihnachtfest

Da freut sich sogar das Christkind: Pünktlich zum Weihnachtsfest erscheinen die ersten vier Neil-Young-Alben "Everybody Knows This Is Nowhere", "After The Gold Rush", "Neil Young" und "Harvest" als streng limitierte Sonderausgaben.

hier bitte weiterlesen...





Signatur
«Ich konzentriere mich mal auf die irdischen Ämter und da ist es, glaube ich, das schönste, das ich haben kann.»

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